From the cool, neon lights of Hollywood
at night, to Maliubu's glorious beaches,
my images celebrate the light, color and
life around me. I use a simple, plastic
medium format camera called the Holga as
my tool for experimentation, along with B&W
and color film. It may be a simple camera,
but it has required a daunting amount of
practice,patience and even obsession for me
to achieve my results.
I enjoy pushing the limits of what
is possible to do on a film negative.
I say "everything you see is on the negative".
Camera in hand, I will click the shutter
multiple times, or make time exposures and
panoramas. The possiblities are unlimited.
I do also like to make images of single
moments in time.
I must confess that when I look through my
viewfinder, in my mind’s eye I imagine the
scene as a painting. I look at light,color
and composition today in much the same way
that they taught us in art school.
Painterly effects seem to enhance my
self-expression. There is much joy in the
experimentation itself.
I spend a lot of time at Leo Carillo
State Beach, north on Pacific Coast Highway,
beyond Malibu, almost to the Ventura County
Line. This is my favorite beach in this
part of the world. It is close to Los
Angeles, but far enough away at the same
time. I return to this same location, year
after year, at all times of day, tide,
weather and season. My beach is rugged,
windswept and solitary, with occasional
surfers, lifeguards, and seagulls passing
through. There are tide pools, cliffs and
caves, pelicans and starfish and dolphins…
These images are a diary of my efforts
to stay sane, to cope in the pressure
cooker that is LA. They are a record of
sacred moments spent in contemplation and
communion with nature. I have always been
a lover of nature. As a child, I studied
natural history and longed to be a marine
scientist, even while living in landlocked
Kansas. I spent my free time in the woods
and fields behind our house, exploring the
creeks, collecting minnows, and running
free. My favorite book was “Island of the
Blue Dolphins”, about a Native American girl
living on the Channel Islands. When I am
at Leo Carillo Beach, I connect with the
Channel Islands I see in the distance.
Today, much of my time is spent immersed
in the urban experience, and so I photograph
what I see around me. LA is fast paced and
full of vibrant visual stimulation and
color. It is dynamic and multicultural, and
my work aims to convey that.
Everything you see in my photographs
is printed from the film negative, with
minimal use of Photoshop. I mostly print full
frame, without much digital alteration,
maintaining the integrity of my negative.
I welcome the limits and the possibilities
of my camera and film, and I like the fact
that I have an archive of negatives of all
my images. I am continuing to push forward
in my discovery of technique and subject
matter and break new ground as I continue my
Maura Brennan
California
Landscape
Photography
Statement
medium format camera called the Holga as
my tool for experimentation, along with B&W
and color film. It may be a simple camera,
but it has required a daunting amount of
practice,patience and even obsession for me
to achieve my results.
I say "everything you see is on the negative".
Camera in hand, I will click the shutter
panoramas. The possiblities are unlimited.
I do also like to make images of single
moments in time.
maura@maurabrennan.com
artspan is contemporary art